Once upon a time in a kingdom far, far away, it was said
that angels were among the most fascinating entities, beings that belonged to
creation itself. They were the genesis that inspired an artist's creativity. An
ancestral reverence for these entities had prevented the artist from
confronting them for a long time. Until he felt the compelling need to
physically represent one of them, beyond duality, they are themselves the
opposing poles.
She reflected a breaking moment, where both chaos and
extreme calm coexisted, and she used her wings as protection from the external. But when it came
to representing the wings, the very symbol of angels, that reverential feeling once again arose,
preventing him from materializing them. He ultimately decided to sculpt an earthly woman and
not a celestial angel. His expressive need materialized in a constant dialogue with
the material, following and assimilating every natural sign it possessed, which would
influence the final outcome. During moments of definition, while sculpting the back of the
being, two symmetrical marks appeared, revealing that the woman was not of this world but seemed to
have possessed wings. The sincere intention to sculpt a divine being created the synchronicity
for that block of marble to coincide in space and time, containing and allowing the Sculptor to
reveal the Angel Without Wings.
