THE SUBWAY DRAWINGS
In 1980, Haring noticed that New York City subway’s blank advertising spaces were covered with black matte paper when advertising subscriptions expired. He immediately purchased some chalk and started drawing. Over the next five years, this became a daily, repetitive obsession: he would ride the subway, look for these empty spaces of black paper, draw quickly—without any preparation — and then leave on the next train. Through incessant repetition, Haring’s subway drawings allowed him toperfect his highly recognizable reduced linear vocabulary, and to create an inventory of images. Simplification was practical: he needed to complete his drawings as fast as possible to avoid being arrested. He created characters, such as the barking dog and the radiating baby, which he drew on flat planes with no spatial depth, often with only
a horizon line or a staircase to suggest space. Drawn close to the surface like cartoons, his images had immediacy and impact and could carry multiple meanings through various combinations.
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The Subway Drawings
Early 1980's-
Keith Haring, 7 Headed Monster Large, 1980's
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Keith Haring, Acrobatic People, 1980's
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Keith Haring, Dancing Cup Man With X Large, 1980's
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Keith Haring, Dog & Snake Human Large, 1980s
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Keith Haring, Dog Man with Fire Large, 1980s
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Keith Haring, Figure Holding TV Large, 1980's
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Keith Haring, Flying Grub & Rider, 1980's
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Keith Haring, Flying TV Large, 1980's
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Keith Haring, Ghost Figure With Baby, 1980's
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Keith Haring, Happy Valentine NYC, 1980's
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Keith Haring, JUMPING DOLPHIN SNAKE ROBOT Large, 1980's
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Keith Haring, Large Hand Burning Money Large, 1980's
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Keith Haring, Light Bulb & Flying Figures Large, 1980s
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Keith Haring, Man Dolphin UFO Large, 1980's
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Keith Haring, Money Hands Large, 1980's
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Keith Haring, Monster & UFO, 1980's
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